There’s always something to howl about

Ray Bradbury: “In sum, do not insult me with the beheadings, finger-choppings or the lung-defiations you plan for my works. I need my head to shake or nod, my hand to wave or make into a fist, my lungs to shout or whis­per with. I will not go gently onto a shelf, degutted, to become a non-book.”

Lately I’ve been pondering where the spice in our culture has gone? Perhaps, as a woman of a certain age, I’m unable to see it, but I don’t think so. My deviant detector is fairly well-tuned and I’m drawn to the outsiders of the world because, well, I am one, but it’s very milquetoast out there these days. We wouldn’t want to offend anyone or their delicate sensibilities.

Somehow I missed reading Ray Bradbury. Well, no, not somehow. That was pretty much a planned avoidance of the sci-fi genre in general because it tends to spawn cult-like followers. True story. And I’m not much into cults however clever they are. But today David Boaz at the CATO Institute posted the Coda to the 1979 Del Rey edition of Fahrenheit 451, written by Ray Bradbury. And while I’ve been pondering our collective love of the plain vanilla, I’ve concluded that it seems to have begun around the year this Coda was written. Either it was the death of disco or the election of Ronald Reagan but something went terribly wrong around that time. I never read Bradbury, but this is quite lovely and also funny and has enough biting social commentary to make me appreciate the man’s sensibilities and shared appreciation of digressions. There are indeed many ways to burn a book.

About two years ago, a letter arrived from a solemn young Vassar lady telling me how much she enjoyed reading my experiment in space mythology, The Martian Chronicles.

But, she added, wouldn’t it be a good idea, this late in time, to rewrite the book inserting more women’s characters and roles?

A few years before that I got a certain amount of mail concerning the same Martian book complaining that the blacks in the book were Uncle Toms and why didn’t I “do them over”?

Along about then came a note from a Southern white suggesting that I was prejudiced in favor of the blacks and the entire story should be dropped.

Two weeks ago my mountain of mail delivered forth a pipsqueak mouse of a letter from a well-known publishing house that wanted to reprint my story “The Fog Horn” in a high school reader.

In my story, I had described a lighthouse as hav­ing, late at night, an illumination coming from it that was a “God-Light.” Looking up at it from the view-point of any sea-creature one would have felt that one was in “the Presence.”

The editors had deleted “God-Light” and “in the Presence.”

Some five years back, the editors of yet another anthology for school readers put together a volume with some 400 (count ‘em) short stories in it. How do you cram 400 short stories by Twain, Irving, Poe, Maupassant and Bierce into one book?

Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito—out! Every simile that would have made a sub-moron’s mouth twitch—gone! Any aside that explained the two-bit philosophy of a first-rate writer—lost!

Every story, slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read like Shakespeare read like Dostoevsky read like—in the finale—Edgar Guest. Every word of more than three syllables had been ra­zored. Every image that demanded so much as one instant’s attention—shot dead.

Do you begin to get the damned and incredible picture?

How did I react to all of the above?

By “firing” the whole lot.

By sending rejection slips to each and every one. By ticketing the assembly of idiots to the far reaches of hell.

The point is obvious. There is more than one way to burn a book. And the world is full of people run­ning about with lit matches. Every minority, be it Baptist / Unitarian, Irish / Italian / Octogenarian / Zen Buddhist, Zionist/Seventh-day Adventist, Women’s Lib/ Republican, Mattachine/ Four Square Gospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.

Fire-Captain Beatty, in my novel Fahrenheit 451, described how the books were burned first by minori­ties, each ripping a page or a paragraph from this book, then that, until the day came when the books were empty and the minds shut and the libraries closed forever.

“Shut the door, they’re coming through the win­dow, shut the window, they’re coming through the door,” are the words to an old song. They fit my life-style with newly arriving butcher/censors every month. Only six weeks ago, I discovered that, over the years, some cubby-hole editors at Ballantine Books, fearful of contaminating the young, had, bit by bit, censored some 75 separate sections from the novel. Students, reading the novel which, after all, deals with censorship and book-burning in the fu­ture, wrote to tell me of this exquisite irony. Judy-Lynn Del Rey, one of the new Ballantine editors, is having the entire book reset and republished this summer with all the damns and hells back in place.

A final test for old Job II here: I sent a play, Leviathan 99, off to a university theater a month ago. My play is based on the “Moby Dick” mythology, dedi­cated to Melville, and concerns a rocket crew and a blind space captain who venture forth to encounter a Great White Comet and destroy the destroyer. My drama premieres as an opera in Paris this autumn.

But, for now, the university wrote back that they hardly dared do my play—it had no women in it! And the ERA ladies on campus would descend with ball-bats if the drama department even tried!

Grinding my bicuspids into powder, I suggested that would mean, from now on, no more productions of Boys in the Band (no women), or The Women (no men). Or, counting heads, male and female, a good lot of Shakespeare that would never be seen again, especially if you count lines and find that all the good stuff went to the males!

I wrote back maybe they should do my play one week, and The Women the next. They probably thought I was joking, and I’m not sure that I wasn’t.

For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangu­tan or dolphin, nuclear-head or water-conversation­ist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my book or stories or poems is where their rights end and my territorial imperatives begin, run and rule. If Mor­mons do not like my plays, let them write their own. If the Irish hate my Dublin stories, let them rent type-writers. If teachers and grammar school editors find my jawbreaker sentences shatter their mushmilk teeth, let them eat stale cake dunked in weak tea of their own ungodly manufacture. If the Chicano intel­lectuals wish to re-cut my “Wonderful Ice Cream Suit” so it shapes “Zoot,” may the belt unravel and the pants fall.

For, let’s face it, digression is the soul of wit. Take philosophic asides away from Dante, Milton or Ham-let’s father’s ghost and what stays is dry bones. Laur­ence Sterne said it once: Digressions, incontestably, are the sunshine, the life, the soul of reading! Take them out and one cold eternal winter would reign in every page. Restore them to the writer—he steps forth like a bridegroom, bids them all-hail, brings in variety and forbids the appetite to fail.

In sum, do not insult me with the beheadings, finger-choppings or the lung-defiations you plan for my works. I need my head to shake or nod, my hand to wave or make into a fist, my lungs to shout or whis­per with. I will not go gently onto a shelf, degutted, to become a non-book.

All you umpires, back to the bleachers. Referees, hit the showers. It’s my game. I pitch, I hit, I catch. I run the bases. At sunset I’ve won or lost. At sunrise, I’m out again, giving it the old try.

And no one can help me. Not even you.


7 Comments so far

  1. Don Reedy June 6th, 2012 9:01 pm

    Teri, you know I’ve written that “your right to throw a punch stops where my nose starts.” And then this.

    It’s like finding a kinsman when you’re simply looking for someone to talk to. Bradbury not only feels like a kinsman to me, but he writes with a clarity that sometimes escapes me.

    Listen my friend and chief intellectual bottle washer, you’re full of spice….lots of it, and this “find” of yours filled the bottles in my head and heart with gratitude and joy.

  2. Greg Swann June 7th, 2012 10:51 am

    Here is a nice encomium from The New York Post, buttressed by more details from The Corner at National Review.

  3. Greg Swann June 7th, 2012 11:41 am

    More, from LA Weekly.

  4. Karen June 8th, 2012 5:48 pm

    My 25-year-old son and I were talking about this very subject this afternoon. We were talking about The Hunger Games, which a mutual friend had tried to read, but put it down after a day out of frustration at the 5th grade reading level…and that’s being generous.
    We finished the conversation on an upbeat note, though, both believing that the burgeoning industry of self-publishing will bring about a change, where the cream will once again rise to the top, and eventually “all boats will be lifted by the rising tide”. The gatekeepers who have been telling us what we like to read are losing their power, as more and more true, quality authors find their readers.

    Yes, I’m an optimist. I’m hopeful that the “democritization of all things” brought about by an open source internet culture will effect things for the good. Thanks for posting and sourcing this quote from Bradbury, I will enjoy using it in conversations about the “dumming down” of our culture.

  5. Al Lorenz June 11th, 2012 5:45 pm

    So, Teri, you’re a sci-fi geek now? That’s okay, I don’t spend as much time worrying about these things now as I did back then either. Thanks!

  6. Sean Purcell June 11th, 2012 9:53 pm

    Thank you Teri… what a refreshing, inspiring piece to read; so few people can walk that fine line of charm and… insouciance? Telling others not to touch his work, as he could not care a wit what they think wrong with it, and all the while ingratiating himself to us. Masterful – again, thank you Teri.

  7. […] This jewel includes Bradbury’s coda to Fahrenheit 451.  ”Nobody can help me. Not even you.” is his close. […]